Lithographs

The last student of
American master lithographer,
Bolton Brown, John Menihan
upheld a tradition of
excellence in his prints
vividly evoking rural
and urban life.

These lithographs were
usually printed in editions of
twenty to thirty prints.
A note on authenticity


Power Line

Lithograph by John C. Menihan
ca. 1951, image: 14 x 19 in

Tug Boat
Lithograph by John C. Menihan
ca. 1938, image: 3.5 x 5.75 in



Santa Clara

Lithograph by John C. Menihan
ca. 1936, image: 7 x 11 in

Fiddler John
Lithograph by John C. Menihan
ca. 1942, image: 14 x 17 in


Leon's House

Lithograph by John C. Menihan
ca. 1942, image: 5 x 8 in



Grain Elevator

Lithograph by John C. Menihan
ca. 1951, image: 16 x 12 in

Main Line

Lithograph by John C. Menihan
ca. 1940, image: 8.5 x 12.25 in


*Barn with White Roof
Seven color lithograph
by John C. Menihan
ca. 1940, image: 9 x 15.5 in
* see new Links page


Pines Near Osterville

Lithograph by John C. Menihan
ca. 1942, image: 8 x 7 in


Connie

Lithograph by John C. Menihan
ca. 1936, image: 11 x 10 in


Lobster Traps

Four color lithograph
by John C. Menihan
ca. 1953, image: 11.5 x 16 in


Dingle

 Lithograph by John C. Menihan
ca. 1981, image: 13.5 x 17.25 in
JCM's last lithograph executed
after a trip to Ireland.


White Picket Fence

Lithograph by John C. Menihan
ca. 1940, image: 8 x 13 in


Hunting Season
lithograph by John C. Menihan
ca. 1938, image: 11 x 16.5 in

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Tom Menihan Designs, Boston